I have come to believe that by and large the human family has all the same secrets. – Fredrick Buechner
Tuesday, December 13, 2016
Global Glimpse
"You don't have to know me very well to know that I am terrified of spiders," writes a Pioneers worker in South America. Can you relate? The difference is that this woman lives among spiders, in this case, the jungles of Peru. That's part of cross-cultural life; living with things you would never choose.
While culture stress is one of my least-favorite experiences, I do sometimes miss the way it pushes or even forces a reliance on God and others, a living by faith that seems so optional when your location, culture, and relationships let you rest on your own understanding and competence.
Anyway, back to the tarantulas. "Peru is trying to help me get over that fear by strategically placing them in the most shocking of places," says my correspondent. "I thought I would take a minute to share the three most disturbing encounters."
1. In my shower (this is never convenient)
2. Cooked into my rice at a local restaurant (Didn't finish that meal!)
3. In my laundry (I apparently rudely interrupted a tarantula mid-nap while picking up my laundry)
"I have no pictures of these encounters because they are normally followed by shortness of breath, strange noises and often running and yelling for Daniel."
Friday, November 25, 2016
Strategies for Conducting Interviews over the Phone
Well, it looks like I'll make it through National Novel Writing Month without accidentally writing a novel. Again! My guess is that I never will write fiction (much as I enjoy reading it). Every now and then, though, someone will ask if I think I'll write another book.
Both Through Her Eyes and Crossing Cultures with Ruth dropped in my lap, the first from a couple of busy cross-cultural workers in Central Asia who knew the stories of women like them ought to be told, and second as a write-for-hire job from a ministry that knew I was a fan of their initial book and had what it took to expand it. In both cases my job was to collect and pass along the wisdom and experience of others rather than any of my own. This I was happy to do.
In fact, it's the main way I've used my writing and editing skills these last 20+ years, usually writing without a byline and often in collaboration with a team or partner who had a message to share but needed help putting it into words. These days, it's mostly articles for the web and email publications.
If you count all the notetaking, editing, and writing these last few weeks, I may have exceeded the 50,000-word goal of NaNoWriMo this month. But the bigger breakthrough for me is this:
I finally assembled the right tools and strategies for getting rich interviews over the phone and capturing the content effectively and efficiently.
Another factor I'd considered was finding a way to record the interviews and then transcribe them, but the transcription process takes more time than I think I can give and actually slows down the writing process as well, so I'm glad to "settle" for copious notes, instead (though they still need to be cleaned up and organized).
During Caleb Project days, we nearly always worked in pairs, and while it required both teamwork and discipline, the results were great; one person would lead the interview while the other madly but quietly scribbled notes (and then typed them up later).
Trying to replicate this solo hasn't worked well for me. My notes weren't as good and my rapport wasn't either, and the time it took to type them up and fill in the gaps was considerable. Bringing a laptop or tablet for notetaking made for more complete and accurate notes. It was a little better for rapport, too, since I can type without watching what I'm doing, but my laptop is both too big and it was still a a barrier. I was looking for a new approach. And this one works well.
The folks I've interviewed seemed to enjoy it too. None of them has seemed ready to stop after 15 minutes, but have typically given me 30-60 minutes. After all, I'm giving them the chance to talk about things they're passionate about. I've made sure to tell them how grateful I was for their time and made sure to pray with them and for them about the things they shared.
This new strategy may make interviewing over the phone (despite my lifelong aversion to making phone calls) more effective than video conferencing or even talking face to face. Had I put these pieces together sooner, I'm sure my Master's thesis could have been better; I'd left the door open for follow-up phone interviews but failed to follow through since I didn't have an efficient strategy for making it work.
But all this gives me hope for future research and writing projects using phone interviews.
Who knows, maybe even something that will take the form of a book.
Both Through Her Eyes and Crossing Cultures with Ruth dropped in my lap, the first from a couple of busy cross-cultural workers in Central Asia who knew the stories of women like them ought to be told, and second as a write-for-hire job from a ministry that knew I was a fan of their initial book and had what it took to expand it. In both cases my job was to collect and pass along the wisdom and experience of others rather than any of my own. This I was happy to do.
In fact, it's the main way I've used my writing and editing skills these last 20+ years, usually writing without a byline and often in collaboration with a team or partner who had a message to share but needed help putting it into words. These days, it's mostly articles for the web and email publications.
If you count all the notetaking, editing, and writing these last few weeks, I may have exceeded the 50,000-word goal of NaNoWriMo this month. But the bigger breakthrough for me is this:
I finally assembled the right tools and strategies for getting rich interviews over the phone and capturing the content effectively and efficiently.
- A good list of contacts engaged with the topic I'm writing about.
- Access to contact data that helps me track them down.
- Carefully timed emails asking for a 15-minute phone call to pick their brain and hear the story.
- A new headset that allows me to talk and type comfortably, gracefully, and simultaneously.
Another factor I'd considered was finding a way to record the interviews and then transcribe them, but the transcription process takes more time than I think I can give and actually slows down the writing process as well, so I'm glad to "settle" for copious notes, instead (though they still need to be cleaned up and organized).
During Caleb Project days, we nearly always worked in pairs, and while it required both teamwork and discipline, the results were great; one person would lead the interview while the other madly but quietly scribbled notes (and then typed them up later).
Trying to replicate this solo hasn't worked well for me. My notes weren't as good and my rapport wasn't either, and the time it took to type them up and fill in the gaps was considerable. Bringing a laptop or tablet for notetaking made for more complete and accurate notes. It was a little better for rapport, too, since I can type without watching what I'm doing, but my laptop is both too big and it was still a a barrier. I was looking for a new approach. And this one works well.
The folks I've interviewed seemed to enjoy it too. None of them has seemed ready to stop after 15 minutes, but have typically given me 30-60 minutes. After all, I'm giving them the chance to talk about things they're passionate about. I've made sure to tell them how grateful I was for their time and made sure to pray with them and for them about the things they shared.
This new strategy may make interviewing over the phone (despite my lifelong aversion to making phone calls) more effective than video conferencing or even talking face to face. Had I put these pieces together sooner, I'm sure my Master's thesis could have been better; I'd left the door open for follow-up phone interviews but failed to follow through since I didn't have an efficient strategy for making it work.
But all this gives me hope for future research and writing projects using phone interviews.
Who knows, maybe even something that will take the form of a book.
Monday, October 31, 2016
Night Lights for the Dead?
In honor of Halloween, I give you: cemetery lights. I've spent enough time in parts of the world where world religions meet ancestor worship to have seen or heard about some elaborate funeral practices and memorial strategies. This one's new to me.
Did you know it was a thing? I didn't, not until last night when Chris came home a different route from the hospital and reported that our closest cemetery is aglow with solar-powered lights next to every tombstone. Some quick research suggests this is not, say, a security issue, but a way those left behind can honor, remember, or keep vigil for those who have gone on.
A couple internet searches for news about the phenomenon come up with no informational articles (though I'll keep looking), just oodles of ads for these from a wide variety of companies. They call them memorial lights, memorial lanterns, eternal lights, or vigil lights. Some are shaped as crosses or angels, others as candles or lanterns. As solar lights have become more popular and affordable, I suppose we shouldn't be surprised to see them cross over from gardens and driveways to graveyards as well.
One site says (somewhat ungrammatically),
If it's primarily a Catholic thing, it may echo lighting candles for the dead, something that might be more likely to happen this week of the year than others:
* * * * *
I miss Halloween, you know... Halloween as I think I remember it, Halloween through the eyes of a child in the 1970s. Without all the spooky stuff (which was probably there. I was just unaware). Without all the institutionally-sponsored Halloween events (Trunk or Treat!). It was just about visiting our neighbors door to door, if only this one time of the year. (Well, this and when we knocked on their doors to sell them Girl Scout cookies or when they came to ours to tell us our dog was on the loose or our sheep had gotten out.)
Costumes were homemade, often a week or day before, not bought in a store. Mom sewed them when we were really small. Later we made them ourselves. Kids might go as pirates, not Jack Sparrow; as mermaids, not Ariel from the Little Mermaid. Now, like everything else, costumes seem to be produced commercially and chosen to highlight some aspect of consumer culture.
Guess I shouldn't be surprised. The culture has changed. It does that!
Did you know it was a thing? I didn't, not until last night when Chris came home a different route from the hospital and reported that our closest cemetery is aglow with solar-powered lights next to every tombstone. Some quick research suggests this is not, say, a security issue, but a way those left behind can honor, remember, or keep vigil for those who have gone on.
A couple internet searches for news about the phenomenon come up with no informational articles (though I'll keep looking), just oodles of ads for these from a wide variety of companies. They call them memorial lights, memorial lanterns, eternal lights, or vigil lights. Some are shaped as crosses or angels, others as candles or lanterns. As solar lights have become more popular and affordable, I suppose we shouldn't be surprised to see them cross over from gardens and driveways to graveyards as well.
One site says (somewhat ungrammatically),
"Cemetery lights also known as memorial lights are widely used in memory and respect for those departed loved person who passed on. As many consider it’s a bridge to the other side that can help in making the place more accessible. While a cemetery light for death can in no way replace the person who has died it can provide a spark of hope that those who have died will not be gone forever."Maybe they don't use these on the West Coast, or maybe we just don't go to enough / the right kind of cemeteries to have noticed them. Are they mostly a Southern phenomenon? African-American? Catholic? Let me know if you know anything more about where this practice came from or how widespread or popular it may be. Inquiring minds want to know...
If it's primarily a Catholic thing, it may echo lighting candles for the dead, something that might be more likely to happen this week of the year than others:
"Catholics light candles for the dead as an act of remembrance or as a prayer for their souls. They can light candles at any time; however, death anniversaries and All Souls' Day are particularly popular dates to light candles in prayer for the dead."
* * * * *
I miss Halloween, you know... Halloween as I think I remember it, Halloween through the eyes of a child in the 1970s. Without all the spooky stuff (which was probably there. I was just unaware). Without all the institutionally-sponsored Halloween events (Trunk or Treat!). It was just about visiting our neighbors door to door, if only this one time of the year. (Well, this and when we knocked on their doors to sell them Girl Scout cookies or when they came to ours to tell us our dog was on the loose or our sheep had gotten out.)
Costumes were homemade, often a week or day before, not bought in a store. Mom sewed them when we were really small. Later we made them ourselves. Kids might go as pirates, not Jack Sparrow; as mermaids, not Ariel from the Little Mermaid. Now, like everything else, costumes seem to be produced commercially and chosen to highlight some aspect of consumer culture.
Guess I shouldn't be surprised. The culture has changed. It does that!
Sunday, October 23, 2016
Lottie Moon's sister, missionary to Palestine and lady physician to Confederate rebels?
Dr. Oriana (Moon) Andrews and her husband, Dr. John Summerfield Andrews. |
"One sister was supposedly the first female doctor south of the Mason-Dixon Line, and ended up going as a medical missionary to Arabs in Palestine, then came home to be a doctor for the Confederate Army."
"I would love to read her story," I added, before going on to tell a little of Lottie's.
Next day, though, I started wondering if this was one of those things I really could learn more about than in days gone by. I might not need to prowl through archives in Virginia; more and more things can be found online!
After a few tries, Google and I came up with a name and even a biographical sketch of Dr. Oriana Moon. There is also this fun dramatic reading which mentions Lottie's sisters alongside Lottie, apparently drawing on the same secondary sources I'd used previously. (I think that would go well in a Perspectives course, as well.)
So, did I have it right? Or what else might be helpful to share?
The Moon girls were certainly a remarkable bunch. Growing up surrounded by books and well supplied with tutors, they were allowed by their parents to pursue their own interests and given educational opportunities usually restricted to sons. I had to smile when I read that their father purchased an unusually large library for Orie,
"...Consisting of the leading histories, poetry, fiction, and scientific works of the time. For the first sixteen years of her life, Orie was an ardent and persistent reader, often so wrapped up in her readings that she refused to stop for meals. Orie seemed to prefer mental nourishment to material food and craved learning..."
After writing a thesis on the relationship between coronary and respiratory diseases, Oriana got her MD in 1857 from a women's medical college in Philadelphia. That's decidedly North of the Mason-Dixon line, and she certainly studied and worked in the company of other female doctors (though, as the article points out, the women were not allowed to practice in Philadelphia hospitals, limiting their work to a clinic the school set up to treat women and destitute patients). Later she did practice medicine in Virginia, though "despite much urging, Dr. Moon consistently declined to 'hang out her shingle' as a general practitioner," at least at that time. Later she did, and further south.
Oriana seems to have been just as outspoken as Lottie, warning another sister's fiance that he must be brave to marry into a family that included someone like herself. Nothing in this article, though, confirms that she was the first female doctor in the South. Have to look elsewhere for that. Meanwhile, I should at least soften my summary with a "one of" or "some say."
Shortly after earning her MD, Oriana returned to Virginia and signed on to accompany her uncle, an ordained minister and physician, as he and his family made an extended "missionary journey" to the Holy Land. "Orie was determined to join Barclay and assist him where possible by providing providing medical services to the Bedouins." Here's a telling vignette:
"She sailed to Europe, carrying for protection a revolver with which she was an expert marksman. In Turkey, while crossing the Bosphorus from Constantinople to Adrianople, Orie hired two boatmen to row her across the water. In an incident she often retold in later years, Orie paid the two men an agreed-upon sum before they started rowing. However, midway in the trip, the two boatmen threatened to turn back unless she paid them a second time. Orie pulled out her revolver and barked the command "Go to Adrianople!" So motivated, the two boatmen rowed with great speed, and when the boat touched the Adrianople shore, they fled with equal haste. Orie proved to be a fearless American that even these Turks respected."Religious zeal for God's glory does not seem to have played much of a part in Oriana's initial decision to go to Palestine; though raised in the church and in a Christian family, she had never been particularly religious. So much for the revival connection, at least in Oriana's case. But some serious conversations with her uncle on the journey across the Atlantic seem to have had an impact, and she had her uncle baptize her in the Pool of Siloam.
It may, then, be overstating things to call her a missionary doctor in Palestine without some disclaimers. We could call her uncle a missionary, and she was part of his party, though, so maybe. On the other hand, she was only in the Middle East for 14 months before returning home in 1859. So, similarly, any claim that she only left her missionary calling in the Middle East to patch up Confederate soldiers is misleading. The war didn't start until 1861.
What does seem clear, however, is that her "missionary journey" played a clear part in her personal development, that she felt she made a difference among the Bedouin, and that she looked back on the experience as a significant one. She told the stories for the rest of her life. So, call it a transformative mission trip, a short-term rather than a missionary career.
One thing that the article does confirm is that when the war broke out, Oriana was quick to offer herself to the Confederacy as a doctor. Until her death in 1883 she served in both informal and formal roles as a physician (sometimes, later, alongside her husband, also a doctor).
Oriana's zeal for service and evangelism resurfaces throughout her life, as when she set up, led, and preached in an open-air church in a nearby black village. She stood up to threats from the KKK... once again armed and ready to repel them if they carried out a threatened attack against her! And it was while visiting her sister Oriana that Charlotte Moon decided to go to China as a missionary. In this, Lottie was following in the footsteps of another sister, Edmonia, of whom I know little so far. I gather Edmonia got sick and came home, whereas Lottie served in China for more than 30 years. Time for some more digging, eh? I've never even read a proper biography of Lottie, so let me see what I can find out.
Friday, October 07, 2016
"Icebreakers Are Terrible. They Also, Unfortunately, Work Really Well."
This is the time of year when walking into a group of strangers with the hope of charming them enough that they will listen to me talk at them for a few hours, or making a new friend (of sorts), is something I do rather a lot. But as a shy (broken?) extrovert, I sometimes find it intimidating and welcome help, like having a bit of structure or someone in charge to set the tone. What about you?
Check out this article from Cari Romm of New York Magazine for an interesting perspective on the effectiveness of "icebreakers."
"It’s back-to-school season, which means it’s time for fresh starts, pumpkin-spice overload, inappropriately themed sale displays, and — if you’re actually going back to school — racking your brain for suitably fun facts to share with a classroom full of strangers, or gearing up for endless rounds of two-truths-and-a-lie in a dorm lounge. Truth: Here’s a thing I did this summer. Truth: Here’s something about, I don’t know, a family pet. Lie: This is fun.Keep reading to see why Villado says they work and what they can accomplish.
"To all but the most enthusiastic few, icebreakers are just a necessary evil — even though they’re supposed to dispel the awkwardness, forced getting-to-know-you games often feel like they’re just making an awkward event even more so, whether you’re at freshman orientation or a corporate retreat. So why do we insist on beginning so many situations by suffering through trust walks and elaborate name games? Is there any value to making a roomful of people miserable with false cheer?
"Psychologist Anton Villado is adamant that the answer is yes, and that icebreakers don’t have to be pleasant to be effective."
H/T Tony Sheng.
Saturday, October 01, 2016
Six Posts about the World of Firefighters
By the end of this month Telling Secrets will have been on the web for 10 years with more than 900 posts. Good reason for a trip back through the archives, I thought. Wanna come?
Half a dozen posts flagged "fire service" reflect my efforts to understand an unfamiliar world I entered when I married Chris.
Read the descriptions below, or, to pull them all up, click here.
Chris has also begun blogging about firefighting, chaplaincy, and more at ChrisWade.org.
July 27, 2012: Cultural notes on the world of firefighters
Why motivates volunteer firefighters to do what they do? An exploration of the appeal of the uniform, the truck, the chance to serve, the fire service family, and more. (Read more).
August 6, 2012: Just a guy thing?
Those big red trucks down at the station seem fueled as much by testosterone as anything else. When talk of them comes up in mixed company, only the men's eyes light up at delight with the thought of tearing down the road in a fire truck, a high-powered toolbox on wheels. You might expect the fire station subculture to be utterly masculine. That was one of the questions I had about the fire district: Is this just a guy thing? (Read more).
August 8, 2012: What does the fire department really do?
From our very first date I could tell being part of the fire department was way more than a little hobby on the side for my husband and his buddies. Here are a few of the "aha!" discoveries that have helped me understand how this world really works, at least in Santa Clara. (Read more).
March 24, 2013: Motivating volunteers with meaningful work.
More than 70 percent of all firefighters serve as volunteers. When your workforce is made up of volunteers, it does change dynamics a bit. Your hands are somewhat tied. Both in terms of sticks and of carrots. (Read more).
June 14, 2013: After the MVA (motor vehicle accident)
Consider, for a moment, this nightmare scenario. You've been in a car accident. You're alive, but your car is mangled. You're pretty sure your body is too. Your leg is pinned under the dash, and you cannot move. Someone calls 911 and the police and fire department arrive. But what then? (Read more).
February 4, 2014: 2013 Santa Clara Volunteer of the Year
Serving with our local volunteer fire department costs those who serve, and their families, a lot. After making 244 calls in 2013, Chris was honored as Volunteer of the Year. Congratulations, Chris! (Read more).Sunday, September 25, 2016
American History, the Great Migration, and Grandma Burnie
From the first pages of Laura Ingall's Wilder's Little House in the Big Woods, I was hooked on pioneer stories. I loved to read about old-time frontier families crossing the country in a covered wagon, homesteaders, Indians, and girls in calico and sunbonnets. Since I grew up in Washington state, social studies class and school field trips reinforced those themes. They featuring tales of Lewis and Clark and the Oregon Trail.
Either missing altogether or mentioned without emphasis were stories of a migration that began a few decades after the covered wagon days came to a close. The Great Migration did just as much to shape our country, probably more. But I'm learning about it now.
You see, here in South Carolina, those Lewis and Clark stories don't do so much to capture the imagination. Not like tales of the day in 1865 when General Sherman and his troops burned down two-thirds of our town... and other important events from the Revolutionary War, the Civil War (sometimes called by other names), Reconstruction, and the Civil Rights movement.
And probably everybody knows something about the Great Migration. It was a series of several waves between 1910 and 1970 during which more than six million African Americans moved from their rural lives in the South to in the cities of the Northeast, Midwest, and West to take up industrial jobs (starting with WWI war factories). They were driven away by crop failures and Jim Crow laws, and drawn by job offers and the hope of a great new life in places that seemed to be Promised Lands: Chicago. Philadelphia. Detroit.
An obituary states that Burnie Montgomery was survived by four of her children, 21 grandchildren, 46 great grandchildren, and 50 great-great-grandchildren, among others.
Added to my reading list the best-seller The Warmth of Other Suns: The Epic Story of America's Great Migration by Pulitzer Prize winner Isabel Wilkerson.
Either missing altogether or mentioned without emphasis were stories of a migration that began a few decades after the covered wagon days came to a close. The Great Migration did just as much to shape our country, probably more. But I'm learning about it now.
You see, here in South Carolina, those Lewis and Clark stories don't do so much to capture the imagination. Not like tales of the day in 1865 when General Sherman and his troops burned down two-thirds of our town... and other important events from the Revolutionary War, the Civil War (sometimes called by other names), Reconstruction, and the Civil Rights movement.
And probably everybody knows something about the Great Migration. It was a series of several waves between 1910 and 1970 during which more than six million African Americans moved from their rural lives in the South to in the cities of the Northeast, Midwest, and West to take up industrial jobs (starting with WWI war factories). They were driven away by crop failures and Jim Crow laws, and drawn by job offers and the hope of a great new life in places that seemed to be Promised Lands: Chicago. Philadelphia. Detroit.
"Around 1916, when the Great Migration began, a factory wage in the urban North was typically three times more than what blacks could expect to make working the land in the rural South." (History.com)They may have escaped sharecropping, segregation, and the Ku Klux Klan, but they still faced prejudice and discrimination. There were culture clashes, housing shortages, and race riots. But there were also things like the Harlem Renaissance and the rise of black civic culture. The early waves created thriving black communities in New York, Chicago, Philadelphia, St. Louis, Detroit, Pittsburgh, and Indianapolis, with later settlements growing in Los Angeles, San Francisco, Oakland, Phoenix, Seattle, and Portland. No longer was the African American experience a rural one, but now, much more, an urban one. The migration far exceeded the number of Irish, Italians, or other immigrant communities whose stories are part of our national narrative.
"By 1970, when the Great Migration ended, its demographic impact was unmistakable: Whereas in 1900, nine out of every 10 black Americans lived in the South, and three out of every four lived on farms, by 1970 the South was home to less than half of the country’s African-Americans, with only 25 percent living in the region’s rural areas." (Learn more from History.com.)My interest in the Great Migration was piqued in learning about a local, 110-year-old African-American lady who recently passed away. She lived through all that, as explained by an SC House Resolution offering her birthday congratulations. Burnie, a sharecropper's daughter, dropped out of school in the fourth grade when her mom died; she had to help take care of her siblings and work on the farm. Married, widowed, twice. Raised children and buried some. When the land could no longer support them, Burnie and her family moved north in 1955 to seek a better life. She worked as a housekeeper in a few DC hotels. Didn't return to the South until she was an old woman. Never stopped praying, says a brief video on our local news.
An obituary states that Burnie Montgomery was survived by four of her children, 21 grandchildren, 46 great grandchildren, and 50 great-great-grandchildren, among others.
Added to my reading list the best-seller The Warmth of Other Suns: The Epic Story of America's Great Migration by Pulitzer Prize winner Isabel Wilkerson.
Wednesday, September 21, 2016
Need to Relax? Take the Train
After a busy week—including three days attending a conference at a nearby Christian college—followed by a busy weekend—with a 5K run and “afterparty” Friday night, three festival events downtown on Saturday, church, and two trips to the grocery store—I was ready to chill.
We found a soporific ending to our Sabbath with a dose of something soothing on Netflix: the Norwegian “Slow TV” program that takes viewers on the lovely train trip of more than seven hours from Bergen to Oslo. Although, just as I might on a real train, I indulged in a little multi-tasking (the Sunday NYT crossword puzzle), I couldn’t keep my eyes open past Voss.
See How a 7-hour train ride started a Norwegian TV revolution (CBC).
Interested? Take a look, or pull it up in higher resolution on Netflix. If you don't fancy the all-black portions from when the train went through long tunnels, find the edited version on YouTube as well.
We found a soporific ending to our Sabbath with a dose of something soothing on Netflix: the Norwegian “Slow TV” program that takes viewers on the lovely train trip of more than seven hours from Bergen to Oslo. Although, just as I might on a real train, I indulged in a little multi-tasking (the Sunday NYT crossword puzzle), I couldn’t keep my eyes open past Voss.
See How a 7-hour train ride started a Norwegian TV revolution (CBC).
Interested? Take a look, or pull it up in higher resolution on Netflix. If you don't fancy the all-black portions from when the train went through long tunnels, find the edited version on YouTube as well.
Sunday, September 18, 2016
When Life Goes Off-Script
One of the things that seems to really increase post-traumatic stress (says Hubs who studies these things) is that the traumas we experience break our narratives. They don’t fit in with what we tell ourselves and what we tell others about ourselves… the definitive stories of who we are and what are lives are about and how the world is supposed to work. And many of us really want to think of ourselves as mature and healthy people, good people living good lives in a basically good world. But then bad stuff happens and it doesn’t fit.
Trauma shakes us and messes up our stories and with them our sense of self. Our sense of justice or truth is violated. It's hard to accept. Sometimes we can’t find a redemptive thread in the experience to reconcile it with the whole.
We may not be able or willing to let go of or loosen our hold on our narratives and let them develop another direction that fits better in with reality rather than wishful thinking.
We may not know where to find a story worth telling, one that’s not so bright and shiny that it doesn’t ring true, nor so dark and hopeless that it deflates us and leaves us living lives devoid of purpose and meaning.
If we can’t change the narratives we started out with when trauma comes or find a way to make sense of that trauma and see how it’s part of the story, we may get stuck.
I wrote about this some years back, quoting a friend who explained that most definitions of health include an organism’s ability to make continuous adjustments to the stresses of its environment: resilience. A healthy person is able to change with life’s circumstances and recover from difficult situations. We can let go of an inadequate narrative and let the story of our lives and our understanding of what has happened to us change.
“People who walk closely with God know this kind of healthy. They know that God is the source of their ability to adjust,” she added. The gospel can provide a narrative that recognizes and acknowledges the power of evil at work in our world and in our lives, but also providing answers, strength, the promise of God’s presence and redemptive power, and an affirmation of our sense of and longing for what is good, right, and true. I know I have found it a much stronger, resilient narrative than what I started with.
----------------------------------------
All this came to mind while reading an interesting book this week.
In A Hobbit, a Wardrobe, and a Great War, author Joseph Loconte explores what two young men suffered during World War I and its aftermath, living through terrors that cost them many of their closest friends and trying to find something to hold onto in the years of disillusionment that followed. The idealism that propped up the idea that civilization was just going to keep getting better and better, and that this war was going to end all wars (and quickly) and usher in a season of peace and prosperity, well, that was shattered. It was as if the world, the world most people though they knew, had come to an end.
While hundreds of “war novels” in the 1920s and 1930s characterize all war as savage and absurd, J.R.R. Tolkien and C.S. Lewis wrote epic tales that tell a different story, a story influenced by their experiences in the trenches but ultimately validating the possibility of things like a good death and the hope of a new world beyond this one. And Loconte makes the case that this is exactly what they were trying to do.
Though (like Lewis and Tolkien) Loconte often leaves readers to draw their own parallels, it seems clear that the normlessness that characterizes our society today is not unlike what Europe experienced in the twenties and thirties. People who still hold onto a sense of right and wrong and purpose, who believe in sin and sacrifice and judgment, may be mocked and dismissed now, but no worse than they were then. Consider what Virginia Woolf said in a letter quoted by Loconte, after a fellow intellectual, T.S. Elliot, was baptized and confirmed in the Church of England in 1927:
Trauma shakes us and messes up our stories and with them our sense of self. Our sense of justice or truth is violated. It's hard to accept. Sometimes we can’t find a redemptive thread in the experience to reconcile it with the whole.
We may not be able or willing to let go of or loosen our hold on our narratives and let them develop another direction that fits better in with reality rather than wishful thinking.
We may not know where to find a story worth telling, one that’s not so bright and shiny that it doesn’t ring true, nor so dark and hopeless that it deflates us and leaves us living lives devoid of purpose and meaning.
If we can’t change the narratives we started out with when trauma comes or find a way to make sense of that trauma and see how it’s part of the story, we may get stuck.
I wrote about this some years back, quoting a friend who explained that most definitions of health include an organism’s ability to make continuous adjustments to the stresses of its environment: resilience. A healthy person is able to change with life’s circumstances and recover from difficult situations. We can let go of an inadequate narrative and let the story of our lives and our understanding of what has happened to us change.
“People who walk closely with God know this kind of healthy. They know that God is the source of their ability to adjust,” she added. The gospel can provide a narrative that recognizes and acknowledges the power of evil at work in our world and in our lives, but also providing answers, strength, the promise of God’s presence and redemptive power, and an affirmation of our sense of and longing for what is good, right, and true. I know I have found it a much stronger, resilient narrative than what I started with.
----------------------------------------
All this came to mind while reading an interesting book this week.
In A Hobbit, a Wardrobe, and a Great War, author Joseph Loconte explores what two young men suffered during World War I and its aftermath, living through terrors that cost them many of their closest friends and trying to find something to hold onto in the years of disillusionment that followed. The idealism that propped up the idea that civilization was just going to keep getting better and better, and that this war was going to end all wars (and quickly) and usher in a season of peace and prosperity, well, that was shattered. It was as if the world, the world most people though they knew, had come to an end.
While hundreds of “war novels” in the 1920s and 1930s characterize all war as savage and absurd, J.R.R. Tolkien and C.S. Lewis wrote epic tales that tell a different story, a story influenced by their experiences in the trenches but ultimately validating the possibility of things like a good death and the hope of a new world beyond this one. And Loconte makes the case that this is exactly what they were trying to do.
Though (like Lewis and Tolkien) Loconte often leaves readers to draw their own parallels, it seems clear that the normlessness that characterizes our society today is not unlike what Europe experienced in the twenties and thirties. People who still hold onto a sense of right and wrong and purpose, who believe in sin and sacrifice and judgment, may be mocked and dismissed now, but no worse than they were then. Consider what Virginia Woolf said in a letter quoted by Loconte, after a fellow intellectual, T.S. Elliot, was baptized and confirmed in the Church of England in 1927:
“I have had a most shameful and distressing interview with dear Tom Eliot, who may be called dead to us all from this day forward. He has become an Anglo-Catholic believer in God and immortality, and goes to church. I was shocked. A corpse would seem to be more credible than he is. I mean, there’s something obscene in a living person sitting by the fire and believing in God.”
Sunday, September 11, 2016
What if everyone had an ocean?
For a big chunk of my childhood we lived on an island. The waterfront was never far away; any drive around Vashon was punctuated by glimpses of Puget Sound. An easy bike ride would take me to the beach or fishing pier (though riding back home might be too much for little legs). Seattle, where we lived next, was much the same.
Soon, though, life took me further inland, first to college a vexing hour-long drive from the Pacific (but at least surrounded by broad, beautiful rivers heading that direction), and then to Colorado, where the nearest beach was 1000 miles distant and nearly every body of water was a man-made reservoir.
I pouted. No water? "We should flood Nebraska and put in an ocean!" I quipped, privately pondering whether I'd prefer having one to the east of me, for sunrises, or west (so long, Utah), where it would have to be on the other side of the mountains, but better suited for sunsets.
Never did I really think that, short of massive climate change, such a thing might happen.
Turns out that half a dozen US development companies have been been formed around the idea of inland seas. Well, something like that: a chain of surf parks.
It's not about strolling on the beach, soothed by rhythms of waves on the pebbles and changing tides, or birds, bonfires, and boats. Such things, though widely appreciated, might not be able to provide the financial drive to support this move.
But competitive sports might. With surfing set to become an Olympic sport at the 2020 Games in Tokyo, the appeal of acres and acres of perfectly designed waves may find its audience.
To learn more, see For Developers, the Surf Is Always Up (New York Times, via Eugene Register Guard) or visit Inland Surfer.
Soon, though, life took me further inland, first to college a vexing hour-long drive from the Pacific (but at least surrounded by broad, beautiful rivers heading that direction), and then to Colorado, where the nearest beach was 1000 miles distant and nearly every body of water was a man-made reservoir.
I pouted. No water? "We should flood Nebraska and put in an ocean!" I quipped, privately pondering whether I'd prefer having one to the east of me, for sunrises, or west (so long, Utah), where it would have to be on the other side of the mountains, but better suited for sunsets.
Never did I really think that, short of massive climate change, such a thing might happen.
Turns out that half a dozen US development companies have been been formed around the idea of inland seas. Well, something like that: a chain of surf parks.
It's not about strolling on the beach, soothed by rhythms of waves on the pebbles and changing tides, or birds, bonfires, and boats. Such things, though widely appreciated, might not be able to provide the financial drive to support this move.
But competitive sports might. With surfing set to become an Olympic sport at the 2020 Games in Tokyo, the appeal of acres and acres of perfectly designed waves may find its audience.
To learn more, see For Developers, the Surf Is Always Up (New York Times, via Eugene Register Guard) or visit Inland Surfer.
Tuesday, September 06, 2016
Ways to Keep from Keeping up with the Times
Meet 13-year old Morgan Pozgar, 2007 winner of the LG National Texting Championship. |
How do you keep the language or behavior in your young adult novel from sounding like they came from 20, 30 years ago, when you were a young adult yourself? How do you write a kid's book that reflects the world today's kids actually live in? And if you do happen to get the contemporary references right, is your book going to sound out-of-date before it gets out of its first printing?
Movie making would be even harder in this respect. Pour millions of dollars into a piece that before you know it, attracts jeers from viewers or would-be viewers who make fun of the clothes, hair, language .... and the technology.
Novelist Ann Patchett doesn't like technology. And especially she doesn't like the way the ubiquity of technology screws up her intended plot lines. She doesn't want readers or reviewers exclaiming, "Why didn't she just Google that?" "Why didn't he text her and tell her where he was?" Because it would kill the suspense, wouldn't it?
So she writes the story the way she wants to, but has people's cell phones lost or stolen, their batteries and computers die... whatever it takes to get magic techno solutions out of the way. Patchett is a Luddite herself, perhaps unsurprisingly. On the side, she owns and helps run a brick-and-mortar bookstore in Nashville, TN (and refuses to upgrade her flip phone).
I just read and enjoyed her book State of Wonder, carefully set off the grid in the Amazon jungle. That isolation factor itself plays a significant role in creating the novel's tension. I read it from the glowing rectangle of my iPad, of course, though characters in the book pass around carefully plastic-wrapped hardback copies of a set of Dickens.
See Author Ann Patchett Talks about How She Avoids Modern Tech in State of Wonder (Washington Post).
Tuesday, August 16, 2016
Remaindered!
I recently re-read Madeleine L'Engle's book A Circle of Quiet. This volume has been a companion of mine for more than 30 years. Some books stick with you, don't they? Not everything has such staying power. L'Engle tells a story about Henry David Thoreau:
But because a few other things have changed since Thoreau's day, they're still going to keep the book in print. Paper copies may not be worth the warehouse space, but it costs the publisher nothing to keep selling it as an ebook. For those who do want paper copies, "Print on Demand" (POD) volumes will be produced; that's more reasonable than ever before. So even though it's been remaindered, the book will remain in print. Nice.
The publisher told me they still had 210 copies. I spoke for 160. I'm having a case of 40 sent to me and have asked colleagues at Pioneers to stash several cases more so I can pick them up as needed. I'll keep schlepping copies along when I speak or teach, as I've been doing for years. But now I can cut the price in half to $5/each with no qualms about giving them away for free when that seems appropriate.
A year or two ago I had the dwindling royalties redirected to Pioneers as well. The cost of having Turbo Tax submit the paperwork to pay the government its share had exceeded the royalty income.
Staying in print for twelve years is pretty good for a book of this sort. I'm happy that there's still some audience for it and that the publisher has found a way to keep it available.
Thoreau might find it some consolation that these and other dynamics have returned Concord and Merrimack to print, too.
By the way, I would love to give away copies of Through Her Eyes for free to anyone who would be willing to review it on Amazon, Goodreads, etc. When it came out, that was less of a "thing," but now it looks rather pathetic to have none. Well, one. And even that one is brief and has a grammatical error. It would help the book find new audiences if there were more.
(Made friends with one of our neighbors who wrote a book published just a year and a half ago. He has 74 customer reviews. Impressive!)
"In 1853 Thoreau was informed by his publishers that A Week on the Concord and Merrimack Rivers had sold 219 copies since its publication four years before, so they sent him the remainder. He wrote, 'I now have a library of nearly nine hundred volumes, over seven hundred of which I wrote myself.'In a small way I can relate. A few weeks ago I heard from InterVarsity Press that sales of Through Her Eyes, published a dozen years ago in 2004, had finally slowed enough to make some changes in their marketing and distribution of this book. Unlike Thoreau's publisher, IVP is billing me for the cost and shipping of my "remainders."
But because a few other things have changed since Thoreau's day, they're still going to keep the book in print. Paper copies may not be worth the warehouse space, but it costs the publisher nothing to keep selling it as an ebook. For those who do want paper copies, "Print on Demand" (POD) volumes will be produced; that's more reasonable than ever before. So even though it's been remaindered, the book will remain in print. Nice.
The publisher told me they still had 210 copies. I spoke for 160. I'm having a case of 40 sent to me and have asked colleagues at Pioneers to stash several cases more so I can pick them up as needed. I'll keep schlepping copies along when I speak or teach, as I've been doing for years. But now I can cut the price in half to $5/each with no qualms about giving them away for free when that seems appropriate.
A year or two ago I had the dwindling royalties redirected to Pioneers as well. The cost of having Turbo Tax submit the paperwork to pay the government its share had exceeded the royalty income.
Staying in print for twelve years is pretty good for a book of this sort. I'm happy that there's still some audience for it and that the publisher has found a way to keep it available.
Thoreau might find it some consolation that these and other dynamics have returned Concord and Merrimack to print, too.
By the way, I would love to give away copies of Through Her Eyes for free to anyone who would be willing to review it on Amazon, Goodreads, etc. When it came out, that was less of a "thing," but now it looks rather pathetic to have none. Well, one. And even that one is brief and has a grammatical error. It would help the book find new audiences if there were more.
(Made friends with one of our neighbors who wrote a book published just a year and a half ago. He has 74 customer reviews. Impressive!)
Sunday, August 07, 2016
My Pioneers Project and the Parada Coca-Cola
It took me years to start saying I'm a "writer." At least that's what I sometimes say when people want to know what I do. More precise would be to say I'm a copywriter and copyeditor. That would tell people who understand the profession that I play with words (often other people's) to communicate messages (often not my own). It's easier to get a job that pays the bills doing that than being a poet or a novelist or an author of memoirs. I dare say it takes less talent and/or chutzpah. But I like it. I also like that most everything that gets past my own internal filters is published.
These days my words don't get out on paper, not often anyway. I mostly curate and work on content for electronic newsletters, websites, and social media.
My latest project is a bit different. It's concrete and three dimensional. It's going to have to be interactive and visual, using images and experiences to communicate instead of words, whenever possible. This is stretching me; I've been alternately inclined to procrastinate about the project, afraid to fail, and excited to try something unlike anything I've done before. This week I'm driving down to Orlando to spend a couple days working with a team there to see how much of the planning we can knock out and nail down. I've been working up possible copy on and off for weeks with little confidence that it's the kind of stuff that in the end we will want to use. Now I'll find out.
The commission is to build a museum-style display to explain what our organization is all about. It's going to take up a good chunk of the lobby of Pioneers' new building in Orlando. The audience? The many who come through as missionary candidates and appointees, Pioneers supporters, partner church leaders, allies and colleagues, and those who may just be passing through the lobby because they're part of a group that asks to meet in our space (theoretically possible given the new facility). We can also expect the occasional group of mission-agency-beat tourists, because believe it or not, that's a thing.
We don't expect to compete with the Wycliffe Discovery Center. They're the main mission agency attraction in Orlando. And the JESUS Film guys offer a well-crafted visitors experience as well, or so I hear. We aren't going to staff this, or charge a fee. But we wouldn't mind being another stop on the tour. In a town that's home to so many "world class attractions," it may take some doing.
The whole exhibit may also play a part in pulling staff and friends of the ministry together around the mission we've been given. That would be good. But the brainstorming process made it clear people have rather different ideas of what should be included, and we can't do it all. We also have to get the tone right; if not, there could be a lot of criticism. It should inspire and encourage, without being self-glorifying or manipulative. A tall order.
Even as the project is challenging and stretching me, I'm glad the leadership is not in my hands. I'm just an extra copywriter, on hand to put in the extra time the overextended Communications Team doesn't have to give. I don't have to deal with building contractors and the budget process.
Surely the budget is anywhere near the one Collin Brum has to work with on his latest project. Collin is my stepmom's nephew; a sort-of much-younger cousin. Colin works for Coca-Cola. He's a marketing "events" guy. I think he started with pop-up tents and free Cokes on the beach, but he has a lot more on his shoulders now. Still, if you'd "like to give the world a Coke," you should have a job like Collin's... he has managed promotional efforts at the Olympics since the 2010 games in Vancouver. I wonder if there's anything I could learn from him for my project with Pioneers?
See below for a video in which Collin gives a tour of Coca-Cola Station in Rio.
These days my words don't get out on paper, not often anyway. I mostly curate and work on content for electronic newsletters, websites, and social media.
My latest project is a bit different. It's concrete and three dimensional. It's going to have to be interactive and visual, using images and experiences to communicate instead of words, whenever possible. This is stretching me; I've been alternately inclined to procrastinate about the project, afraid to fail, and excited to try something unlike anything I've done before. This week I'm driving down to Orlando to spend a couple days working with a team there to see how much of the planning we can knock out and nail down. I've been working up possible copy on and off for weeks with little confidence that it's the kind of stuff that in the end we will want to use. Now I'll find out.
The commission is to build a museum-style display to explain what our organization is all about. It's going to take up a good chunk of the lobby of Pioneers' new building in Orlando. The audience? The many who come through as missionary candidates and appointees, Pioneers supporters, partner church leaders, allies and colleagues, and those who may just be passing through the lobby because they're part of a group that asks to meet in our space (theoretically possible given the new facility). We can also expect the occasional group of mission-agency-beat tourists, because believe it or not, that's a thing.
We don't expect to compete with the Wycliffe Discovery Center. They're the main mission agency attraction in Orlando. And the JESUS Film guys offer a well-crafted visitors experience as well, or so I hear. We aren't going to staff this, or charge a fee. But we wouldn't mind being another stop on the tour. In a town that's home to so many "world class attractions," it may take some doing.
The whole exhibit may also play a part in pulling staff and friends of the ministry together around the mission we've been given. That would be good. But the brainstorming process made it clear people have rather different ideas of what should be included, and we can't do it all. We also have to get the tone right; if not, there could be a lot of criticism. It should inspire and encourage, without being self-glorifying or manipulative. A tall order.
Even as the project is challenging and stretching me, I'm glad the leadership is not in my hands. I'm just an extra copywriter, on hand to put in the extra time the overextended Communications Team doesn't have to give. I don't have to deal with building contractors and the budget process.
Surely the budget is anywhere near the one Collin Brum has to work with on his latest project. Collin is my stepmom's nephew; a sort-of much-younger cousin. Colin works for Coca-Cola. He's a marketing "events" guy. I think he started with pop-up tents and free Cokes on the beach, but he has a lot more on his shoulders now. Still, if you'd "like to give the world a Coke," you should have a job like Collin's... he has managed promotional efforts at the Olympics since the 2010 games in Vancouver. I wonder if there's anything I could learn from him for my project with Pioneers?
See below for a video in which Collin gives a tour of Coca-Cola Station in Rio.
Tuesday, July 05, 2016
Cultural Training for 21st Century Mission
I don't think I ever posted this here, but the the Intercultural Studies team at my school published my Master's thesis on their website. (Their title for it is better than mine, too.) Don't worry, I'm not going to let this honor go to my head. The school has a strong history of commitment to educating current and future international workers, but the actual ICS department is pretty small. The option of completing one's Master's by writing a thesis (rather than completing a practicum) is new, not available to all, and not what most are choosing to do. Only three of us wrote a thesis this year.
Get the highlights in my previous post, Equipping New Cross-Cultural Workers.
The school was only asking for a 15,000-25,000-word doc (60-100 pages) and recommended, for “case study research,” focusing on no more than 5-10 agencies.
I was concerned that the sample size would be too small or that more of the agencies I approached would say no, so I started with a list of 20 and ended up profiling 12.
Only later did I realize that to process the data in the time I had would keep me from the additional steps I’d hoped for (follow-up interviews going deeper on key statements, and surveys testing patterns)… and the whole thing was quickly getting too long. To really achieve my original plan would result in something more like a dissertation than a thesis.
I think the case study descriptions themselves are more helpful than my chapters on correlations and conclusions. I learned a lot and want to share that with anyone interested, but in terms of original research, it all feels more tentative than I’d like. I’m not making any plans to publish my findings elsewhere at this point.
Enough disclaimers? I'd still be thrilled if you read it or shared it with someone you know!
» Read about Cultural Training for 21st Century Mission. [Later: sorry, the school shut down that particular website, so old posts are gone. Happy to send the thesis to anyone who has a hankering to read it though.]
See also a later post, Observations about Academic Research.
Get the highlights in my previous post, Equipping New Cross-Cultural Workers.
The school was only asking for a 15,000-25,000-word doc (60-100 pages) and recommended, for “case study research,” focusing on no more than 5-10 agencies.
I was concerned that the sample size would be too small or that more of the agencies I approached would say no, so I started with a list of 20 and ended up profiling 12.
Only later did I realize that to process the data in the time I had would keep me from the additional steps I’d hoped for (follow-up interviews going deeper on key statements, and surveys testing patterns)… and the whole thing was quickly getting too long. To really achieve my original plan would result in something more like a dissertation than a thesis.
I think the case study descriptions themselves are more helpful than my chapters on correlations and conclusions. I learned a lot and want to share that with anyone interested, but in terms of original research, it all feels more tentative than I’d like. I’m not making any plans to publish my findings elsewhere at this point.
Enough disclaimers? I'd still be thrilled if you read it or shared it with someone you know!
» Read about Cultural Training for 21st Century Mission. [Later: sorry, the school shut down that particular website, so old posts are gone. Happy to send the thesis to anyone who has a hankering to read it though.]
See also a later post, Observations about Academic Research.
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